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The Double Role of the Camera in Outer and Inner Space
Carolina Wonder
"Edie was incredible on camera-just the way she movedÂ…She was all energy-she didn't know what to do when it came to living her life, but it was wonderful to film. The great stars are the ones who are doing something you can watch every second, even if it is just a movement inside their eye."
Andy Warhol, 1980
David James has suggested that Warhol's films can be divided into three stages: investigations into the process of being photographed and of becoming an object (Sleep (1963), Kiss (1963), Blow Job (1964), the screen-tests, Poor Little Rich Girl (1965)), the construction and fragmentation of artificial selves by means of roles appropriated from Hollywood (Lonesome Cowboys (1967-68), Blue Movie (1968)), and the representation of exhibitionism and spectatorship in feature film that is adjacent to Hollywood (The Chelsea Girls (1966), Flesh (1968-69), and Trash (1969)).
The trouble with James's......
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Title: The Double Role Of The Camera In Outer And Inner Space
Approximate Word Count: 4152
Approximate Pages: 17 (250 words per double-spaced page)
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