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Third Cinema: The Way Forward
The term ‘Third Cinema’ is accredited to Argentine Filmmakers, Fernando Solanas and Octavio Getino, who introduced new ways of categorising cinema traditions in their 1969 manifesto Hacia un tercer cine – Towards a third cinema. They discussed the films and industries within recently decolonised countries and proposed a new framework.
This new movement opposes the notion of Cinema as a consumer good, as with so-called ‘First Cinema’- perpetuated by, but not limited to, the Hollywood system. Under this {mass entertainment} Production model, Cinema has been established as a predominantly commercial enterprise. Filmmakers conceive films for entertainment, ‘projecting bourgeois values to a passive audience through escapist spectacle and individual characters.’ (Leach) They do so using studio controlled modes of production, distribution and exhibition, generic genre placing and the star-system.
‘Second cinema’ is often referred to as......
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Title: Third Cinema
Approximate Word Count: 1249
Approximate Pages: 5 (250 words per double-spaced page)
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Third Cinema
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Politics In The Third Cinema
Politics in The Third Cinema. Politics in The Third Cinema To be clear every
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Latin American Cinema
... of the Cinema Novo of Brazil (1960 – 72), primarily formulated by Glauber Rocha
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The Maroon As Metaphor For Resistance In Latin American Film
... Maroon as a victim, a creation of white imperialism and an unwitting dupe compared
to the powerful depictions made by the trio of Third Cinema pioneers Solás ... ...
