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The study of national cinema and the way in which its defined has been a topic of discussion that many scholars have debated. Stephen Crofts ‘Concepts of National Cinema,’ Susan Hayward’s ‘Reframing National Cinema’ and Andrew Higson’s ‘Limiting the imagination of National Cinema’ attempt to define the tricky boundaries of what the term national cinema means and the impacts it has on the way in which audiences perceive these types of films.
One of the key areas of debate in the discussion is determining what the idea of nationalism and the nation-state mean in a world that is becoming globalised. Crofts uses Anderson’s concept of ‘imagined communities, ’ which alludes to the idea of an individual having their own image of their affinity to their nation, to build upon his notion that due to the increasing hybrdity of modern culture there is now a “growing lack of congruence between nations and states. ” This prompts Crofts to refer to national cinema as......
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Title: The Study Of National Cinema
Approximate Word Count: 1282
Approximate Pages: 6 (250 words per double-spaced page)
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