What was the effect of photography on painting in the nineteenth century? The photograph was developed in 1839 simultaneously in England and France by Talbot and Daguerre. That is the technique of chemically fixing of an image produced by exposure to rays of sun. William Fox Talbot was an English scholar and scientist who developed the negative and positive process. He used sensitive paper soaked in sodium hyposulphite called calotype. This became the basis for all subsequent photography. Photography joined the art-world after a long struggle. Although early photography such as Daguerreotype and Calotype appeared by the mid 19th-century, photographs only began to be displayed in art galleries and museums only in the early 20th century. The art critics were of the view that photography is such a mechanical process that there is no scope for artistic interpretation. In fact in the early days, photographers imitated paintings to claim its artistic status. They pursued the same......

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Title: What Was The Effect Of Photography On Painting In The Nineteenth Century
Approximate Word Count: 1470
Approximate Pages: 6 (250 words per double-spaced page)

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