More than any other rapper, Dr. Dre was responsible for moving away from the avant-noise and political stance of Public Enemy and Boogie Down Productions, as well as the party vibes of old school rap. Instead, Dre pioneered gangsta rap and his own variation of the sound, G-Funk. BDP's early albums were hardcore but cautionary tales of the criminal mind, but Dre's records with N.W.A. celebrated the hedonistic, amoralistic side of gang life. Dre was never much of a rapper -- his rhymes were simple and his delivery was slow and clumsy -- but as a producer, he was extraordinary.

With N.W.A. he melded the noise collages of the Bomb Squad with funky rhythms. On his own, he reworked George Clinton's elastic funk into the self-styled G-Funk, a slow-rolling variation that relied more on sound than content. When he left N.W.A. in 1992, he founded Death Row Records with Suge Knight, and the label quickly became the dominant force in mid-'90s hip-hop thanks to his debut, The Chronic. Soon,......

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Title: Dr. Dre
Approximate Word Count: 987
Approximate Pages: 4 (250 words per double-spaced page)

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