If much of contemporary literary theory emphasizes the cultural production of class, race, and gender in American fiction, contemporary fiction that utilizes the resources of narrative minimalism to explore issues of cultural division - fiction by such writers as Raymond Carver, Toni Morrison, Susan Minot, and Russell Banks - increasingly provides the context for critical debate. The refusal to elaborate plot or to use plot to suggest a narrator who controls interpretation, becomes itself a strategy that allows the reader to observe clearly the boundaries between the story's minimal plot and the way the socially produced narratives invoked by the story enforce cultural division. If we conceive of narrative as the establishment, for the reader, of a network of expectations within a frame of contingency, then perhaps no expectation is more fundamental than that of intelligible action@ the progression of story through chronological time, which we commonly refer to as plot. In a world......

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Title: Banks
Approximate Word Count: 498
Approximate Pages: 2 (250 words per double-spaced page)

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