European Art in the Wake of World War I
The New Objectivity, or Die Neue Sachlichkeit, was an Expressionist movement founded in Germany in the aftermath of World War I. The chief painters of the movement were George Grosz and Otto Dix, who were sometimes called verists. They created style of bitter realism and protest the disillusionment following the war. New Objectivity retained the intense emotionality of earlier movements in German art. Max Beckmann produced works in related, though more vein. Also the impact of the war influenced Kathe Kollwitz.
George Grosz studied art in Dresden and Berlin where he began contributing cartoon to German journals. On the outbreak of the First World War Grosz was conscripted in the German Army. In 1917, Grosz joined with John Heartfield in protesting about the German wartime propaganda campaign against the allies. This included anti-war drawing such as Fit for Active Service (1918). This particular related to Grosz's personal experience where......

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Title: Euopean Art In The Wake Of World War 1
Approximate Word Count: 982
Approximate Pages: 4 (250 words per double-spaced page)

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1. Euopean Art In The Wake Of World War 1
   

   Euopean Art in the Wake of World War 1. European Art in the Wake of World
   War I The New Objectivity, or Die Neue Sachlichkeit, was ... ...